
Wandering Oak presents KiioÌtoÌ
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Ticketmaster
Tuesday, 28 April 2026
18:30 â 22:00
34 Lime Street
Newcastle upon Tyne, NE1 2PQ
About this event
KiioÌtoÌ is the love-child of Lou Rhodes, Mercury-nominated singer/songwriter and founder member of Lamb, and multi-platinum songwriter and keyboardist Rohan Heath. On the back of their 2024 debut album, âAs Dust We Riseâ, KiiĆtĆâs second album, Black Salt, out April 2026, Whilst âAs Dust We Riseâ took its starting point from a road trip the duo took in Louisiana, âBlack Saltâ draws from a wider palette; looking inwards at their relationship with one another and then boldly outwards to the many facets of their interface with the outside world. Debut single, Butterfly, is a dark and brooding critique of a narcissist. Its prowling bass line, angular Rhodes chords and bell motif setting the mood. Zero Gravity, in contrast, reflects upon the transformational experience of orbiting earth, recounted in Samantha Harveyâs Booker Prize winning novel âOrbitalâ; Little Axe tells of the challenges of raising young men amidst the threat of violence in urban life; White Noise decries the hold of social media on the modern mind, and Lost Map echoes the somewhat surprising results of DNA tests the couple took. In all, Heathâs arrangements are spare and bold, leaning into jazz and old soul textures but, all the while, leaving Rhodesâs haunting vocal true room to breathe. Written in the coupleâs home studio in London, âBlack Saltâ features guest appearances from a melting pot of musicians, notably the Jazz trumpeter Byron Wallen, Amy Winehouseâs guitarist Hawi Gondwe, Corrine Bailey Raeâs drummer Mykey Wilson and even some impromptu guitar by the one and only David Arnold. The resulting album is impossible to define by genre, skipping between jazz, torch song, broken beat and guitar-driven old soul, all on a backbone of Fender Rhodes, piano, Hammond organ, glockenspiel and tambura. Listening to âBlack Salt,â itâs evident this wasnât the easiest of journeys, with many songs lost along the way or put on ice. But, as Heath says: âIt was precisely out of conflict and tension that Blac
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